by Mobile01
The Sony Alpha 7R IV was officially announced in July 2019. The new Alpha 7R IV offers 61 MP, the highest pixel count currently available on full-frame cameras. With the Pixel Shift Multi Shooting feature, the camera can create 240 MP images. The camera has a 5-axis in-body image stabilization (IBIS) system with up to 5.5 stops of stabilization, as well as high-speed continuous shooting of up to 10fps with AF/AE Tracking. The camera’s focusing system enables Real-time Tracking/Real-time Eye AF. The Alpha 7R IV jumps up to 567 phase-detection points (and 425 contrast points). These features allow the user to focus on and track human or animal eyes.
It is also worth mentioning that the camera supports “human-eye focusing” in its recording mode; it can shoot 4K videos at 30fps or 1080p videos at 120fps. The Super 35 mm mode condenses approximately 2.4 times the amount of data required for 4K movies. The Alpha 7R IV also shows improvements in texture, grip comfort, and operating experience, which will be covered in the next post. Due to limited testing time, only a few tests and sample shots were taken. I will give a more detailed evaluation in my next post.
The Alpha 7R IV marks the debut of the fourth generation of Sony’s Alpha 7 product line. What are the differences (both aesthetic and functional) between the Alpha 7R III (launched in 2017) and the new Alpha 7R IV? Please read on to find out.
On the front of the camera, you’ll notice the shape of the grip, the height of the front dial, and the angle of the shutter button. The thickened, raised grip provides one-handed stability over 50% higher than that of previous models. The grip comfort of the Alpha 7R IV is quite close to that of medium and high-end DSLR cameras. The front dial is raised and tilted upwards, allowing you to operate the dial without needing to adjust the grip. The shutter button is raised and tilted downwards accordingly in an ergonomic design, making the Alpha 7R IV easier to operate than the Alpha 7R III.
As Alpha 7R IV has a new shock absorption shutter mechanism, the shutter sound has become softer and curtain vibration has been minimized. Both the Alpha 7R IV and Alpha 7R III have an electronic front curtain shutter, which means only the rear curtain shutter is physically operated.
The biggest surprise on the top of the camera is the rear dial, changed from a recessed design to an exposed structure. I can still remember that when the Alpha 7R II was released, Sony emphasized that the recessed design was intended to make the dial more durable and to avoid collisions. The recessed design was used in the Alpha 7R II and III models. The Alpha 7R IV returns to the exposed structure, which makes the dial easier to operate because of a larger contact area with the fingers. A senior representative from Sony headquarters said, “it’s an adjustment made as per the feedback of many users.” It is uncertain whether the exposed structure is durable, but it is definitely more helpful.
Another change made in response to user feedback is the exposure compensation dial on the top right corner. This time, a lock/unlock function was added, allowing users to lock the exposure compensation dial as required. If you’ve used a Sony Alpha 7 or Alpha 9 camera, you must have encountered unintended exposure compensation, especially when you’re carrying the camera on your back or working with two cameras at the same time. That’s why the exposure compensation dial was added to the Alpha 7R IV.
The biggest change on the back of the camera is a 5.76-million-dot UXGA OLED electronic viewfinder. After testing the camera, I think the biggest difference lies in the obviously convex button design, which provides better push-button response and helps avoid unintended inputs. Another important change on the back of the camera is the new “focus lever”. The new focus lever is not only bigger, but also anti-slip. The lever lengths of the two models are slightly different. The “focus lever” of the Alpha 7R IV is shorter and easier to use. Finally, please pay attention to the “command dial” and “exposure compensation dial” on the right shoulder of the Alpha 7R IV. The Alpha 7R IV has the two dials designed on the same plane. I love this intuitive design.
From the right side of the two cameras, we can see the difference in their “grip” thicknesses and shapes. Their NFC sensor areas are on the right side. The memory card slot of the Alpha 7R III is equipped with a physical button, while the memory card slot of the Alpha 7R IV pops out automatically after it is pulled.
The design of the Alpha 7R IV’s memory card slot is more complicated, but in line with the style of other professional cameras, and helps avoid unintended inputs. In addition, the memory card slots, “SLOT 1 (up)” and “SLOT 2 (down),” of the Alpha 7R IV are reversed, compared to those of the Alpha 7R III. This new memory slot configuration is more conventional.
Due to the Alpha 7R IV’s increased body size, battery grips and grip extenders compatible with Sony Alpha 7R III cameras cannot be used on the Alpha 7R IV. Users who want to upgrade from the Alpha 7R III and use a vertical grip have to purchase the VG-C4EM.
The Alpha 7R IV has a strong and durable magnesium alloy body. It is also dust and moisture-proof, with a shutter life of 500,000 shots—the same as that of the previous generation. The Alpha 7R IV is the world’s first full-frame 61 MP camera. This camera sports the world’s first 61 MP Exmor-R CMOS sensor. With the help of front-end large-scale integration (LSI) and a BIONZ X image processing engine, the Alpha 7R IV not only provides high pixel density, but also maintains ideal image quality. The camera offers up to 15 stops of dynamic range—the same as that of the previous generation.
Due to a high pixel count of 61 MP, the Alpha 7R IV can deliver 26.2 MP images even in APS-C mode. This is very attractive for those who love to photograph birds. The Alpha 7R IV allows you to take advantage of the 1.5-times crop factor to increase the reach of your telephoto lenses; your 200 mm lens instantly becomes a 300 mm lens.
A raised, thickened, and deepened grip is attractive for male photographers, especially Europeans and Americans. If you have small hands, your pinkie may not even be exposed. When I hold the Alpha 7R IV in a normal shooting position, about 1/3 of my pinkie is exposed. For the Alpha 7R III, almost my entire pinkie is exposed. In addition, when I hold the Alpha 7R IV, my fingertips do not push against the front panel; this is not the case with the Alpha 7R III camera.
The “shutter button” of the Alpha 7R IV is raised and its angle has been redesigned. After I repeatedly pressed the shutter buttons of the Alpha 7R IV and Alpha 7R III hundreds of times, I realized that the shutter button of the Alpha 7R IV felt concave, while the shutter button of the Alpha 7R III felt convex. Thus, the two cameras offer different “rapid shutter button feelings.” The “feeling” is subjective and it’s hard to say which one is better. However, the shutter delay of the Alpha 7R IV is shorter, and its shutter mechanism has been reengineered for a greater reduction of mechanical vibration than the previous generation.
The Alpha 7R IV’s power switch has a special groove. This shows that Sony focuses on the details. At first glance, there are no significant changes in appearance between the two generations, but the new power switch is better—a fact that is not mentioned on Sony’s official website. The dial on the top of the camera allows users to set three custom modes that can be stored. A new feature of the Alpha 7R IV is that users can access common settings through an SD card. A maximum of ten sets of settings can be stored and copied to another Alpha 7R IV camera. Since the Alpha 7R IV is a new generation product, only “Save/load settings” on a single model are currently available.
I really like the new look of the top of the Alpha 7R IV. There are not many changes, but I can still “feel” the improvement. The exposure compensation dial can be locked to prevent unintended input. It can also be unlocked as required.
The back of the Alpha 7R IV is equipped with a 3-inch 1.44-million-dot LCD touchscreen. It is a capacitive touchscreen, but it is not as sensitive as that of a smartphone and supports only a few operations, such as changing the focus point and swiping through photos. Unfortunately, it is impossible to operate the menu through the touchscreen. The range of tilt angles that the touchscreen supports is the same as that of the previous generation. When composing at low angles, the image composition won’t be disturbed by the eyepiece cup of the viewfinder.
The 5.76-million-dot electronic viewfinder (0.78x magnification) of the Alpha 7R IV is capable of refreshing at up to 120fps. Officially called the UXGA OLED Tru-Finder, it can produce image fineness 1.6 times that of the Alpha 7R III. However, when I used the electronic viewfinder, I could not tell the difference between the two cameras. Frankly speaking, the viewfinder of the Alpha 7R IV is not as impressive compared to that of Leica SL or Panasonic S1R.
The new, small lever is anti-slip and provides a larger operating area. It is accurate and easy to use, with better overall control than that of the previous generation.
The Alpha 7R IV also features new, dual SDXC UHS-II card slots (there was a single slot only in the previous generation), and the position of “slot 1” has been moved to the top. Another change is the way the slots are opened: the cards pop out automatically after they are pulled, instead of having to use a switch to open the cover. The new slot design helps avoid accidentally triggering the slots.
In previous generations, the terminal cover on the left side usually interfered with cables and wore down quickly with frequent use. The Alpha 7R IV features an adjusted terminal cover design. Equipped with a hinge, the terminal cover opens smoothly and does not (normally) block any external cables. I think this is what a professional camera should look like. Details matter. Just like the previous generation, the terminal portion includes a flash sync terminal, a 3.5-mm headphone terminal, a 3.5-mm microphone terminal, a Micro HDMI jack, a Type-C terminal (for charging), and a Multi/Micro USB terminal.
Here is a sample shot of Alpha 7R IV + SEL2470GM. Most of the sample shots shown in this post were taken with a G Master lens.
I think the most power-consuming part of Alpha 7R IV is the 5.76 million-dot UXGA OLED Tru-Finder. However, when I used the viewfinder, I discovered that the battery lasted for an average of 530 shots, similar to that of the previous generation. When I used the screen on the back instead of the viewfinder, the battery life increased from 650 shots (previous generation) to 670 shots.
The VG-C4EM features a new battery grip. Made of magnesium alloy, it is dust and moisture-proof and equipped with built-in front and rear dials and two sets of custom buttons, as well as a “focus lever” on the back.
If you frequently shoot in “portrait” mode and have sufficient budget, the VG-C4EM battery grip is a good choice, because its grip is more comfortable for vertical shooting than horizontal shooting, with 2 times the battery life.
The ECM-B1M directional microphone, launched together with the Alpha 7R IV, is lightweight and features rich functionality. It uses a Mi Hot Shoe interface to record digital signals directly without the need for an external microphone jack. The directional microphone is powered by the Mi Hot Shoe directly. Currently, only the Alpha 7R IV supports digital signal recording, while other models support only analog signals. More importantly, the ECM-B1M allows users to set a “directional” range and offers a “noise reduction” function. The ECM-B1M comes with a practical windscreen.
In this test, the camera was loaded with a Tough SF-G memory card—the best Sony memory card on the market. The image format was set as RAW+JPG. 31 shots (RAW+JPG) were taken, with a size of 4.28 GB. The test lasted about 1 minute and 38 seconds from the end of shooting to the end of writing, as the Alpha 7R IV did not need to perform the sync write operation during shooting.
The 61 MP Alpha 7R IV camera has a Pixel Shift Multi Shooting function, which first appeared in the Alpha 7R III. With the use of Sony’s Imaging Edge application, the resultant image after merging is 19,008 × 12,672 pixels, for a whopping 240.8 MP. This feature reduces not only the probability of Moire patterns, but also produces amazing details.
The camera also supports continuous shooting of four images. Likewise, the images can be merged by using the Imaging Edge application, but the pixel count of the resultant image is 60.2 MP only. The main purpose is to suppress the occurrence of Moire patterns and obtain images with richer color tone. Samples are provided below for your reference. Merging four separate images results in details richer than the original JPG images. The 240.8 MP image merged from 16 separate images is more suitable for image processing. During shooting, a tripod is strongly recommended, as a slight breeze might cause vibrations. It is best to use the Pixel Shift Multi Shooting function in an indoor, windless environment. In the second post, I will report the indoor test results of the Pixel Shift Multi Shooting function.
Since the Alpha 7R IV has an effective resolution of 61 MP, you can still maintain remarkable high-resolution images at approximately 26.2 MP, even after cropping a full-frame image down to APS-C size (1.5-times crop factor). Below, you can see the difference between the original and APS-C viewing angles. It is worth mentioning that the details are not compromised. You can view the large original image by clicking on the image below.
It is hard to believe that the Alpha 7R IV, with an effective resolution of 61 MP, still exhibited amazing performance at high ISO sensitivity. Taken at an ISO sensitivity of 50-3200, the ball of yarn and halftone printing images are very clear and recognizable. At an ISO sensitivity of 6400 or above, traces of erasure occur. Personally, I think the highest ISO sensitivity at approx. ISO 12800 is acceptable. In this sub-test, the Alpha 7R III was not tested together with the Alpha 7R IV because the Alpha 7R III seemed to have errors in MF when cropping was performed, and as a result, the sharpness of images obtained by the Alpha 7R III was inferior to that of images obtained by the Alpha 7R IV. There was no time for reshooting and I don’t want the results to be misleading. Here, I’d like to provide samples of centre crop (720 x 480) of the Alpha 7R IV for your reference. I will give a detailed comparison between the two models in the second post.
In the morning before the deadline, I took some photos to compare the dynamic ranges of the Alpha 7R IV and Alpha 7R III, both of which have 15 stops of dynamic range. The RAW images obtained were sent to Lightroom CC for brightness adjustments. The results are as follows: when exposure compensation is “-5 EV to -1 EV,” the performance of manual pull-back was still within the acceptable range; but beyond brightness correction at -5 EV and -4 EV, more color noise occurs, which is understandable. The following images are RAW → LR → JPG.
The Alpha 7R IV has a Real-time Eye AF function, capable of using artificial intelligence (AI) for object recognition and processing colors, object distance (depth), pattern (brightness), and spatial information. If a human face or eye appears on the image, continuous tracking is enabled, as demonstrated in the video. This feature is supported on Alpha 9 and Alpha 7R III cameras after firmware updates. To compare skin tone performance, the same settings were applied to the two cameras, and the results were very similar. It’s not easy to distinguish between the two generations. I will test the cameras on more scenes and report the results in the second post.
In the past, we have seen too many examples of continuous shooting becoming slower due to increasing resolution, but Alpha 7R IV stands as an exception. The Alpha 7R IV, with an effective resolution of 61 MP, maintains the continuous shooting performance of the previous generation at 10fps (AF/AE). If you don’t want the Live View response to be compromised during continuous shooting, select 8fps (Hi) continuous shooting. The above video is a sample of continuous shooting at 10fps (Hi+). You can see the delay that occurred at 10fps.
The subject was a heavy motorcycle moving at a speed of 60 km/h. I selected 20 images of the object closest to the camera to perform cropping and determine the accuracy of the focus. The results show that the accuracy was at least 80%. Since the object was moving, I panned the camera to focus on the head of the motorcycle, which may have resulted in some human error. I will perform a detailed test of focus tracking and report the results in the second post.
The Alpha 7R IV reads full pixels when shooting 4K videos. The data size in Super 35 mm mode is 2.4 times that of 4K videos. The video quality settings include 3840 × 2160 at 30fps/24fps and 1920 × 1080 at 120fps. The Alpha 7R IV supports S-Log 2, S-Log 3, and HLG, which can be set in the photo profile. In the next post, I will provide a detailed description of the Alpha 7R IV camera’s performance in video recording, including Eye AF performance.
When I received the test camera, there were only four business days left before the deadline. There was limited time to test the camera, so in the first post, I focused on discussing the appearance and operations of the camera and the difference between the Alpha 7R IV and Alpha 7R III. First, the newly designed grip of the Alpha 7R IV has greatly improved handheld stability, especially one-handed stability. This, in my opinion, is the feature that will most impress consumers when they use the Alpha 7R IV for the first time. Secondly, the Alpha 7R IV features a reengineered shutter unit assembly with dampened screws to reduce mechanical vibration and absorb mechanical shock.
Other changes in the Alpha 7R IV include a lockable exposure compensation dial, an exposed dial on the top, a redesigned focus lever, and an ergonomic button design. With these fine adjustments, the camera offers a better user experience, not to mention an increased pixel count. In order to cope with the 61 MP file writing, the camera is equipped with dual SDXC UHS-II Card slots, which is also a major advantage. Professional photographers working on two cameras can save or load common settings through an SD card, and apply the settings to another Alpha 7R IV camera quickly.
In this report, the items that were tested are limited, but I have attached a considerable number of sample shots, all of which are JPG right out of the Alpha 7R IV with a G Master lens. In the second post, I will give a more detailed test report on the Alpha 7R IV.
In this test, I spent over two hours on photo selection. Since each image was too large, it took about 2-5 seconds to zoom in the image to 100%. If you plan to buy an Alpha 7R IV camera, you may also need to prepare a workstation first. The size of a RAW image is about 120 MB; the size of a full-pixel JPG image is about 35-50 MB. Therefore, please remember to move your mouse and click the left mouse button to appreciate the details of 61 MP images.
This article was originally published on https://www.mobile01.com/
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